This body of work responds to the desert’s arid stillness, shifting palette, and spatial ambiguity through gestures of reflection, obscuring, and suspended movement. The grid emerges as both structure and atmosphere—simultaneously grounding and unstable within the landscape’s vastness.

Through dyeing, weaving, wrapping, and painting, I use repetition and accumulation to trace fleeting shifts in color, texture, and light. Developed during a month-long period in Joshua Tree, the work reflects an intensified attention to the desert’s quiet rhythms and subtle transformations.